I jump in where the story needs muscle — handheld, remote head, A‑camera or B‑camera. Fast, focused, and in sync with the team.

I care about the frame, but more than that — I care what it means. Every move, every angle, should feel like part of the story, not just coverage.

Technically sharp. Drama-free on set. Always tuned to the director’s vision.

Ready when you are.

dop@ronaldasbuozis.com
+370 688 41882

Camera Operator CV available on request.